Maksutov Design MAKSUTOV DESIGN
VST plugins 31 FX 23 instruments AU + VST3 + Standalone Universal

AUR VST Platform

AUR is a large Aurveda Audio lineup: 31 effects and 23 instruments, built around one DSP engine and one UI system. The project is about sound, system, and packaging all at once: warm character without digital grime, a unified visual language, a shared build architecture, and a full library of modules for AU, VST3, and Standalone.

01 / scale

Not a single plugin, but a whole product system with shared logic for sound, interface, and build

54 screens and standalone modules already assembled in the project's local library.
31 + 23 effects and instruments split by role, yet feel like one single lineup.
3 build formats for every module: AU, VST3, and Standalone.
≈21 dB difference in alias energy between a plain `tanh` and ADAA1, shown in the README proof.

02 / concept

Warm sound here isn't opposed to engineering precision — it's built as a two-layer system

Sound thesis

Clean core + analog layer

AUR's core idea is stated very precisely: first a clean ZDF/TPT core with correct phase, metering, and true-peak, then a dosable layer of character on top, with ADAA saturation, tube, tape, and “iron.”

AurvedaDSP

One sound engine

The repository has a shared `AurvedaDSP` layer that's reused across modules. Thanks to this, the whole lineup keeps one sound language, and new products don't look like a randomly assembled set of plugins with different math.

Proof

Warmth without digital junk

  • `Trivial tanh`: −22.5 dB alias energy
  • `ADAA1`: −43.4 dB alias energy
  • about 21 dB less aliasing with no added latency

03 / flagships

The flagship modules that instantly convey the scale and character of the whole system

maksutovdesign.ru/aur/ Open site ↗
AUR HYPER — flagship hybrid synthesizer
01 — HYPER The flagship hybrid: wavetable unison, FM 2→1, a multimode SVF, two envelopes, and LFO modulation.
AUR ASSIST — mastering assistant
02 — ASSIST The mastering assistant shows that the lineup thinks not only about sound, but also about a fast path to a finished result.
AUR CLARITY — resonance suppression
03 — CLARITY The most technology-driven module: perceptual resonance suppression with Bark analysis and careful reconstruction.
AUR EMBER — ADAA saturator
04 — EMBER The module where the whole lineup's sound philosophy is easiest to read: Tube, Tape, Iron, and controlled harmonics.

04 / architecture

The lineup is split by role, but visually and logically holds together as one catalog

Synthesizers and texture generators

From flagships and wavetable synths to drones, organ, and physical modeling. This isn't one niche — it's almost a complete set of directions for sound design and production.

HYPERAURORANOVAMORPHWAVEVECTORGRAINPADDRONE

Classic instruments and musical fundamentals

Compact subtractive synths, supersaw, sub, organ, string ensemble, and chip scenes cover the basic musical tasks without losing the overall AUR style.

MINISUPERSUBORGANSTRINGCHIPPLUCKBELLRES

Drum machines and the rhythmic layer

From a step drum sequencer to 808/909 logic and FM percussion. It's clear the lineup was built not as a showcase of effects, but as a broader musical toolkit.

BEATPULSEKIT9KIT8FMPERC

Dynamics, mastering, space, and metering

This is where the full engineering side lives: compression, limiting, transient shaping, EQ, convolution, imaging, restoration, and metering. In essence, AUR covers an entire production loop.

CEILGRIPMULTIFORGEPRISMHAZECONVOSCOPEGONIOTUNER

05 / proof

What matters here isn't just the look, but how the project explains its engineering correctness

sound

ADAA — the key proof of “warm but correct” sound

The README directly compares a plain `tanh` and ADAA1 on a loud 7 kHz sine, where energy below the fundamental reads as pure aliasing.

  • `Trivial tanh`: −22.5 dB alias energy.
  • `ADAA1`: −43.4 dB alias energy.
  • Result: about 21 dB less digital grime with no added latency.
AUR page
restore

CLARITY shows the project can address problem material with real precision

In the local description, CLARITY is presented as a perceptual resonance suppressor: FFT analysis, a Bark grid, and suppression only of the bands that genuinely stick out above the local spectral trend.

  • 2 kHz: −14.3 dB.
  • 500 Hz: −0.5 dB.
  • 6 kHz: −0.5 dB.
restoration block
build

Every module builds into three formats and passes Apple validation

The project follows a strict engineering discipline: effects build as AU + VST3 + Standalone, instruments as AU MusicDevice + VST3 + Standalone, and the whole lineup targets both Apple Silicon and Intel.

  • Universal `x86_64 + arm64`.
  • Apple `auval` as a mandatory check.
  • One installer for the whole suite, plus separate archives for each module.
download the package
design

MOLTEN — the shared visual language that ties dozens of modules into one brand

The project spells out its visual language explicitly: a molten-copper accent on a warm near-black background, with teal reserved only for precise readout elements like LUFS and true-peak.

  • One `AurvedaUI` system for the entire lineup.
  • A shared theme, rhythm, metrics, and interface behavior.
  • Even with different functionality, the modules read as one single brand.
open the site

06 / synthesizers

Flagship and textural instruments: from hybrid synthesis to granular and vector morphing

AUR AURORA
AURORAA virtual-analog polysynth with two oscillators, a sub, and a ladder ZDF filter.
AUR NOVA
NOVAA 4-operator FM synth for electric pianos, bells, and more metallic timbres.
AUR MORPH
MORPHA single macro morpher that smoothly moves sound through VA, FM, wavetable, and additive logic.
AUR WAVE
WAVEA morphing wavetable engine with band-limited tables, so purity isn't lost at any note pitch.
AUR VECTOR
VECTORVector synthesis with an XY joystick and auto-orbit, built as a modern take on an old classic.
AUR GRAIN
GRAINA granular cloud for atomizing timbre, texture, and unstable spatial movement.
AUR PAD
PADAn additive evolving pad built on a system of 16 harmonic pairs and shimmer detune.
AUR DRONE
DRONEAn ambient drone with slow filter breathing and incommensurate LFOs, so the movement never repeats.

07 / basic instruments

Classic roles: compact synths, bass, organ, strings, chip, and physical modeling

AUR MINI
MINIA fast subtractive synth with no extra weight: one page, one idea, quick entry.
AUR SUPER
SUPERA supersaw stack for hyperpop, trance, and wide leads with an aggressive stereo base.
AUR SUB
SUBA maximally focused module for low end, with no stray controls.
AUR ORGAN
ORGANA tonewheel organ with drawbar logic, percussion, and a rotor, in the same AUR visual code.
AUR STRING
STRINGA string ensemble in the spirit of the Solina, where both the timbre and a recognizable era matter.
AUR CHIP
CHIP8-bit and chiptune aesthetics as a full product module, not a bonus mode.
AUR PLUCK
PLUCKKarplus-Strong for plucked strings and lively attack behavior.
AUR BELL
BELLModal synthesis of bells, glass, and membranes, with an emphasis on measured partial tables.
AUR RES
RESA comb resonator for bowed, wind, and plucked sounds via a tunable waveguide loop.

08 / rhythm

The rhythm block: drum machines, a sequencer approach, and dedicated models for 808, 909, and FM percussion

AUR BEAT
BEATA 7×16 step drum machine that already reads as an almost self-sufficient groove instrument within AUR.
AUR PULSE
PULSEAn 808-style direction with an emphasis on tune and decay for each voice.
AUR KIT9
KIT9A 909-style take with a bright snare, metallic hats, and a harder character.
AUR KIT8
KIT8A separate melodic 808-bass instrument with a long tail and glide behavior.
AUR FMPERC
FMPERCFM percussion adds another textural branch to the lineup for drums and one-shot layers.

09 / dynamics and mastering

The processing block, where the system already looks like a full mastering and mixing toolkit

AUR CEIL
CEILA true-peak limiter with LUFS metering for final loudness control.
AUR GRIP
GRIPA character compressor that works not just as a control tool, but as a coloring layer.
AUR MULTI
MULTIA multiband unit as a standalone engineering piece, not a bolt-on option in someone else's interface.
AUR TRANSIENT
TRANSIENTShaping attack and sustain for a specific task: drums, bass, or mix density.
AUR GATE
GATEA gate and expander in the same overall visual grammar of the lineup.
AUR CLIPPER
CLIPPERAn anti-aliasing clipper continues the theme of controlled loudness without digital grit.
AUR FORGE
FORGEA channel strip with macro character, showing the intent to pack “the whole channel” into one module.

10 / tone and space

EQ, reverb, delay, imaging, and utilities form the lineup's second big layer

AUR PRISM
PRISMA parametric EQ with a clear curve and spectrum display, where the MOLTEN style really stands out.
AUR MOTION
MOTIONA dynamic EQ acting as a bridge between a “pure corrector” and musical automation.
AUR EXCITE
EXCITEA harmonic exciter with ADAA-driven top end and emphasized articulation.
AUR HAZE
HAZEA warm FDN reverb with a space that never breaks from the overall sound thesis.
AUR CONVO
CONVOA convolution reverb with an IR library and support for loading your own files.
AUR DELAY
DELAYStereo echo and ping-pong logic for a layer that's more rhythmic than merely spatial.
AUR IMAGER
IMAGERStereo width work, a mono-maker, and balance, as a separate useful utility module.
AUR PITCH
PITCHA pitch shifter of up to ±24 semitones extends the lineup toward sound design and creative processing.
AUR GAIN
GAINA utility with width and M/S behavior makes the catalog more complete for everyday work.

11 / modulation and creative fx

Classic modulation effects and lo-fi instruments are collected as one more neat subcatalog

AUR CHORUS
CHORUSA stereo chorus for width and movement, without visually breaking from the lineup.
AUR FLANGER
FLANGERA flanger with the same strict interface frame and familiar color language.
AUR PHASER
PHASERAn analog phaser as another step toward retro character without digital chaos.
AUR TREMOLO
TREMOLOTremolo and auto-pan help the lineup be not just utilitarian, but musically dynamic too.
AUR RING
RINGA ring modulator adds a harsher, more experimental direction within the catalog.
AUR CRUSH
CRUSHA bit crusher and decimator make the lineup useful for both lo-fi and sound design.

12 / restoration and metering

The final block: fixing problem material and control instruments

AUR DENOISE
DENOISESpectral noise reduction with profile learning — almost a restoration suite in its own right within the broader AUR ecosystem.
AUR DEESS
DEESSA split-band de-esser for more targeted work on vocals and bright highs.
AUR DEHUM
DEHUMMains hum suppression shows that AUR also thinks about the everyday technical problems of recording.
AUR SCOPE
SCOPESpectrum, LUFS, and correlation in one window — an important control module for the whole system.
AUR GONIO
GONIOA vectorscope as a standalone product underscores how seriously the metering side of the lineup is treated.
AUR TUNER
TUNERA chromatic tuner rounds out the catalog with a basic but essential utility layer.

13 / links and files

Where to go next: the live page, the installer, and sections of the local catalog

14 / who it's for

The product isn't built for one narrow role, but for a whole range of people who build sound and music instruments around it

AUR looks like a project for producers, sound designers, mix engineers, mastering engineers, electronic instrument makers, modular-logic enthusiasts, and anyone who values a systemic approach to DSP over a pretty facade alone.

Music producers Mix engineers Mastering Sound design Synth lovers Plugin collectors AU / VST3 users Apple Silicon DSP system design

15 / next projects